Here’s Don Cheadle dressed up as War Machine for the upcoming “Iron Man 2.” Sigh.

How nice will it be when we get the early photos of Cheadle dressed up as Miles Davis?

* when he’s not working on the Miles Davis Biopic

script2 Although the Oscar-nominated screenwriting and producing duo Chris Wilkinson and Stephen J. Rivele are still listed on IMDB as part of the Untitled Miles Davis Biopic, Erin Davis (Davis’ son) and Vince Wilburn Jr. (Davis’ nephew), in a recent interview with YRB Magazine, reveals that a new writer, Steven Vegelman, is collaborating with Don Cheadle on a new draft of the script.

Said Wilburn Jr.:

We’re in the process of OK’ing the script with a new writer. Don didn’t like the other writer that was attached to the movie, so there’s a new writer named Steven Vegelman that Don’s writing with. Once is the script is OK’d by the family, then we go into production.

To say that I’m delighted to finally stumble across some ‘news’ about the project is an understatement. I still think we’re looking at 2011, but at least Cheadle and Co. are still firmly involved in pushing this cinematic endeavor forward.

(This post also appears on Miles Davis Online)

Variety: Brendan Gleeson is teaming up with Don Cheadle to star in helmer John Michael McDonagh’s “The Guard.” Pic follows an unorthodox Irish policeman who joins forces with a strait-laced FBI agent to take on an international drug smuggling gang in Ireland.

* when he’s not working on the Miles Davis Biopic

3322 According to Variety, Crescendo, the production company Cheadle launched with former managers Kay Liberman and Lenore Zerman, has sealed a first-look TV deal at NBC.

Seriously – a TV series based on the life and times of Miles Davis? How is that not appointment television? A mini-series might not be too terrible either.

In truth, I don’t think the deal means Cheadle is going to start acting on TV (although he was awesome in a guest spot on “ER” and has appeared on a bunch of series in the past), but at least it’s nice to know someone with his talent will be developing projects for the little screen.

cheadle_miles_getty_260 In an interview with Ed Potton in the Times of London, Don Cheadle not only mentions his plans to direct and star in the Miles Davis Biopic, but he also reinforces his decision to produce a film that does not follow the ‘Hollywood’ blueprint for biopics.

His pet project is a biopic of his childhood hero Miles Davis (see lists), which he plans to both direct and star in.“I didn’t want to do anything that resembled the biopics I’d seen. I want it to be relevant today, not a history lesson.”

I was unaware that Miles Davis was a childhood hero of Cheadle’s, or really just how much he cared about the jazz legend.

Asked about some of his favorite musicians, Cheadle had this to say about Davis:

I’ve loved him since fifth grade, when I started playing saxophone and my parents had his Porgy & Bess album. Very young I was just taken with the music. I was a student of it very early, and that’s just sort of never waned. A lot of people think they know a lot about Miles but they only know the name and the image, the iconography. You say: “Miles Davis” to most people and they go: “Yeah, jazz! He played sax or he played something, right?”

They don’t really know, and that’s fine. I wanted to make a movie for the people who didn’t know about Miles Davis, so they could just enjoy the movie and the music.

A movie for people who don’t know about Miles Davis. I can appreciate that. But do those people want experimental cinema, or do they want “Ray,” but instead of Ray Charles it’s the story of Miles Davis?

His comment brings up an interesting point about how best to show the life and times of Miles Davis in a feature film. To just ‘enjoy the movie and the music’ sounds to me like a recipe for traditional storytelling, yet we have heard the term deconstructed biopic associated with this project so it remains fuzzy which way Cheadle will take the narrative.

He could very well break the story into chapters, which weave in and out of Davis’ life. But without the proper context I’m not sure how someone who knows little or nothing about Davis can appreciate the scope of his life and music with this style of movie-making.

Although a script has been written – and rewritten – there isn’t any hard proof of where Cheadle is steering this project other than the comments he’s made this past year; mostly just reiterating his desire for something different than a traditional, cradle-to-grave storyline.

I’m on record as being fine either way, but I do think a traditional narrative might equal greater success with an audience not that familiar with Miles Davis. So much is still unknown about the scope of this biopic that all we really have is conjecture; whether or not the Miles Movie is a big studio deal, or an indie offering will go a long way in determining just how the story gets told.

I’m just glad he mentioned the movie. With all the Cheadle news these days centering on Iron Man 2 and his poker exploits, it’s mighty nice to see the Miles Davis Biopic get some pub. It remains a project in no hurry to get in front of cameras, but at least Cheadle is thinking about it, mulling over which way to take this very special movie project.

So even a brief goes a long way here and at Miles Davis Online. For now all we can do is speculate and continue asking the big questions – like who is going to play John Coltrane?

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I stumbled on this interesting interview with Don Cheadle during his press rounds at Comic-Con.

The back-and-forth questioning is brought to us via Paul Fischer and Moviehole (many thanks):

Question: What are you doing next? Do you want to do a smaller film next?

Cheadle: I’ve gotta get this Miles Davis project off, so that’s going to take my time.

Question: How’s that going?

Cheadle: It’s going good. We have a script that we’re working on. We’ve just gotta beat the bushes.

Question: Do you want to direct it?

Cheadle: If it doesn’t kill me, yes.

Question: What timeline of his life are you covering?

Cheadle: It’s not a cradle to grave story at all, but it touches a lot of parts of his life. It’s not a biopic.

Question: Which is your favorite of Miles’ groups?

Cheadle: I don’t have a favorite. There’s so many.

Question: What inspired your passion for his music and this project?

Cheadle: My heroin addiction. [Laughs] No. That’s probably not the best answer.

Wow. The acknowledgment alone is stunning. If they make the 2011 release I will be surprised. But it’s still ‘on.’ It is still… happening.

I’m surprised he doesn’t call it a ‘biopic.’ We already knew it was going to be ‘deconstructed’ and not utilize the usual Hollywood blueprint for a biopic (see: “Ray”). Sounds like he could be persuaded to give up the directors’ chair.

We have already touched on the issue of what happens if a new director were brought in to guide the project, allowing Cheadle to focus on playing Miles.

In the end it’s nice to know the biopic/not-biopic was brought up and Cheadle addressed it.

Raise your hand if you feel as it I perhaps started this Blog about two years too soon! Oh well. It’s been awesome all along, and the journey continues… Onward and upward!

No stoppin’ until this bad boy is cast, shot, cut, marketed and playing down the street at my local AMC theatres.

cheadlepic Deadline Hollywood Daily has a nice play-by-play of the ‘Iron Man 2′ panel at Comic-Con Saturday. The whole gang was there (Favreau, Downey Jr., Rockwell) including War Machine himself, Don Cheadle.

No, I didn’t ask Cheadle about the Miles Davis film b/c I stayed up in LA this weekend, but had I traveled down to the big event I totally would have asked him about the biopic. Would it have been out of order when he’s there to hype they already super-hyped Iron Man sequel? Perhaps. Would Iron Man fans have yelled at me for bringing up non Marvel Comics related items? Maybe.

But inquiring Miles Davis minds would like to know what’s up.

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Does this look like a man concerned with filming the life and times of Miles Davis?

On a non-cynical note, congratulations to Don Cheadle and everyone associated with last week’s “Ante Up For Africa” poker fundraiser in Las Vegas. The charity event raised funds for the humanitarian relief effort benefiting the victims of strife in war-torn Darfur.

But seriously, Don. Let’s get this thing moving forward.

don-style

If the jumbo Hollywood blockbuster-to-be “Iron Man 2″ wasn’t impediment enough to Don Cheadle focusing on the Miles Davis Biopic, now we’ve got to deal with something even more likely to suck every last minute from the actor’s schedule – poker!

Don Cheadle has been signed by the online poker site Full Tilt Poker as a Friend of Full Tilt.

Full Tilt Poker has a number of poker heavyweights whose names appear in red on the site as members of Team Full Tilt or Friends of Full Tilt. Cheadle will appear in red any time he’s playing on the site.

Cheadle has played in some high profile poker tournaments, including the NBC National Heads-Up Poker Championship, but he’s probably best known for being the co-founder of the Ante Up for Africa tournament.

Between Col. James ‘Rhodey’ Rhodes and No Limit Texas Holdem the prospect of a 2011 release for the Miles Davis Movie is not looking too good. But I’ll just wish Cheadle best of luck and hope he wins a lot of money; who knows, might have to finance the movie himself!

* when he’s not working on the Miles Davis Biopic

spain-miles Although the Miles Davis Biopic appears to be in some advanced condition of inactivity (I don’t really know, just a guess considering Don Cheadle is off wearing armor and hanging out with Iron Man), but were it to crawl out of the development hole and in front of cameras, a typical biopic is definitely something not on the menu.

I’ve covered Cheadle’s comments regarding a more inventive approach to the biopic template, and even though I’m on board for the most part, I had to pull up this item I had saved that actually supports the strategy to veer away from the same thematic pattern most bio-pics follow.

Singing the same tune: Craig Mathieson laments the fact that most music biopics are variations on the same theme.

He makes some pretty good points.

The downfall of most music biopics is that they never capture the milieu that harboured and stimulated the artist. There’s no understanding of how a ‘scene’, be it a group of bands torn between camaraderie and competition, or a venue or rehearsal space they share, can be crucial to an artist’s development. Screenplays look for decisive moments, turning points, but there’s never been a film, for example, that’s captured the utter boredom of a pre-gig soundcheck.

It’s amidst the fear and chill of an empty room, hours before a show, that insignificant moments can reveal a musician’s abiding rites and beliefs.